{"id":2581,"date":"2021-09-23T19:45:14","date_gmt":"2021-09-23T17:45:14","guid":{"rendered":"https:\/\/www.thosecreamypeaches.com\/?p=2581"},"modified":"2021-09-23T19:45:17","modified_gmt":"2021-09-23T17:45:17","slug":"izlozba-ziva-in-gola","status":"publish","type":"post","link":"https:\/\/www.thosecreamypeaches.com\/sl\/2021\/09\/23\/izlozba-ziva-in-gola\/","title":{"rendered":"Izlo\u017eba: \u017eiva in gola"},"content":{"rendered":"\n

V\u0161e\u010d mi je umetnost, navdu\u0161uje me predvsem klasi\u010dna. Postavi me v Pariz, v Louvre, v Mus\u00e9e d’Orsay, v Madrid, v Reino Sof\u00edo, v Prado, pa se bom zasanjana izgubila med umetni\u0161kimi deli. Umetnost je med zidovi varna, je stvar posameznika. Ko jo postavimo ven, med ljudi, pa se lahko meja med svobodnim umetni\u0161kim izrazom in nedostojnim vedenjem hitro zabri\u0161e. <\/p>\n\n\n\n

Aprila je izlo\u017eba FotoPuba o\u017eivela. Na ulico je zazijalo \u0161tirinajst golih teles. List, ki je krasil Adamovo medno\u017eje, so zamenjale vre\u010dke na glavi. Instalacija Dihaj<\/em> je mimoido\u010do razburila tako zelo, da ni mogla preprosto iti mimo in nadaljevati s tokom svojih vsakdanjih misli. Poklicala je policijo, ki je umetnike spoznala za krive kr\u0161enja javnega reda in miru, saj so razkazovali svoje spolne organe. Pa je golo telo, z odsevom katerega se vsak dan sre\u010damo v ogledalu, lahko tako mote\u010da, da zatrepetajo roke in glas?<\/p>\n\n\n\n

Evropsko sodi\u0161\u010de za \u010dlovekove pravice zagovarja umetni\u0161ko izra\u017eanje, ki vznemirja, \u0161okira in celo \u017eali. Tak umetni\u0161ki izraz ima visoko raven za\u0161\u010dite. Po drugi strani pa zakon o kr\u0161enju ravnega reda in miru pravi, da se vedemo nedostojno, \u010de nekoga vznemirimo ali proti nekomu delujemo \u0161kodo\u017eeljno. Pod to spada prepiranje, vpitje, razkazovanje spolnih organov in spolno ob\u010devanje. Pri instalaciji Dihaj<\/em> sta tako tr\u010dila dva svetova, na katero stran se bo prevesil jezi\u010dek na tehnici, pa je odvisno od subjektivne interpretacije. <\/p>\n\n\n\n

Od nekdaj je bila umetnost izzivalna. Se spomnite Courbetovih slik<\/a>, fotografij la\u010dnih otrok, opisov seksa v literaturi<\/a>? Prav tako je golota od nekdaj vznemirljiva, \u010deprav je vsem dobro poznana. \u017divo se spomnim vseh breskvic, mo\u0161kosti razli\u010dnih velikosti in oblik, prsi z velikimi in majhnimi bradavicami, ki sem jih opazovala na nudisti\u010dni pla\u017ei, ki sem jo bila prisiljena obiskovati kot otrok. Moje poletne dni so zaznamovali morje, pa\u0161teta in gola telesa.<\/p>\n\n\n\n

Umetnost, ki izpostavlja goloto naklju\u010dnim mimoido\u010dim, predstavlja tveganje. Na nudisti\u010dno pla\u017eo hodimo, ker tako \u017eelimo, prav tako razstavo aktov obi\u0161\u010demo, ker nas to zanima. \u010ce pa se nekdo sle\u010de sredi ulice, na sebi pusti le nogavice in rokavice, lahko taka instalacija ali performans hitro iz nekaterih posameznikov izvabi zgra\u017eanje. Bolj, kot je telo resni\u010dno, bolj realisti\u010dno upodobljeno, sta zgra\u017eanje in neprijetnost pri gledalcih ve\u010dja. <\/p>\n\n\n\n

Veliko umetnikov dana\u0161njega \u010dasa ve, da je opazovanje \u010dlove\u0161kih aktov zelo osebno in nabito s \u010dustvi. La\u017eje ga opazujemo, \u010de se pred nami sle\u010de lik, ki ga resni\u010dna oseba upodablja. Tako se zgodi navsezadnje v vseh gledali\u0161kih predstavah. Pred nami se sle\u010de Francka in ne Katarina \u010cas – morda se nam tisti trenutek bolj vtisne v spomin, kot drugi deli predstave, vendar ta spomin tudi hitro zbledi. Druga\u010de kot osebni performans Marka Mandi\u0107a. Starej\u0161e gospe, ki so to predstavo videle, \u0161e danes s cmokom v grlu govorijo, da je bilo to preve\u010d, da je bilo nespodobno, morda njegovo goloto jemljejo tudi kot napad. <\/p>\n\n\n\n

\u010ceprav se mnogi spra\u0161ujejo, kaj je narobe z goloto, kaj ljudi moti pri golih telesih, \u010de jih imajo tudi sami, golo telo kot osrednji motiv umetni\u0161kega dela ali instalacije pogosto spro\u017ei kritiko. Zakaj? Predvsem zaradi tega, ker veliko ljudi ob golem telesu pomisli na seks, na \u017eeljo po njem, obsedenost – na tisto, kar se dogaja v zasebnem in ne v javnem. Ko golota javno izziva, ljudi spravi v te\u017eek polo\u017eaj.<\/p>\n\n\n\n

\u010ce bi Imela mo\u017enost opazovati \u017ee omenjeno instalacijo, je ne bi opazovala prav dolgo. \u0160e o tem nisem prepri\u010dana, \u010de bi se pred njo sploh ustavila in podrobno preu\u010dila vseh \u0161tirinajst razgaljenih teles. Na kraj pameti mi ne bi padlo, da bi klicala policijo, dopu\u0161\u010dam pa mo\u017enost, da bi mi bilo kot opazovalcu nerodno, ker si ho\u010de\u0161 no\u010de\u0161 ogleduje\u0161 gola telesa, jih ocenjuje\u0161, poleg tega pa si prepu\u0161\u010den sodbam drugih mimoido\u010dih, ki bodo bolj kot nad razstavo zgro\u017eeni nad tvojim buljenjem v izlo\u017ebo. Podobno kot sem se po\u010dutila ob sprehajanju po amsterdamski rde\u010di \u010detrti. <\/p>\n\n\n\n

Golota pritegne poglede, golota vznemirja. To umetnost ve. Umetniki, ki pose\u017eejo po goloti kot sredstvu prikazovanja vi\u0161jih idej, se morajo zavedati, da je bistvo skrito o\u010dem ve\u010dine mimoido\u010dih. Zato mora biti pripravljena na to, da bodo nekateri ljudje v taki umetnosti videli kr\u0161enje javnega reda in miru in ne dodane umetni\u0161ke vrednosti instalacije. <\/p>\n\n\n\n

Vir: https:\/\/n1info.si\/novice\/slovenija\/golota-nedostojno-vedenje-ali-pravica-do-umetniskega-izrazanja\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u0161e\u010d mi je umetnost, navdu\u0161uje me predvsem klasi\u010dna. Postavi me v Pariz, v Louvre, v Mus\u00e9e d’Orsay, v Madrid, v Reino Sof\u00edo, v Prado, pa se bom zasanjana izgubila med umetni\u0161kimi deli. Umetnost je med zidovi varna, je stvar posameznika. Ko jo postavimo ven, med ljudi, pa se lahko meja med svobodnim umetni\u0161kim izrazom in…<\/p>\n

–<\/span>Preberi ve\u010d–<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":2584,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[795,794,796,797,498,798],"class_list":["post-2581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-clanki","tag-dihaj","tag-golota","tag-instalacija","tag-javno","tag-umetnost","tag-zasebno"],"wppr_data":{"cwp_meta_box_check":"No"},"yoast_head":"\nThose Creamy Peaches - Izlo\u017eba: \u017eiva in gola<\/title>\n<meta name=\"description\" content=\"Golota je med zidovi dobrodo\u0161la, je zasebna . 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